Binoy Kampmark The status of dissident offers a certain moral latitude in behaviour, and, in various cases, misbehaviour. The Chinese artist Ai Weiwei is one such figure.
Alamy Stock Photo In nature there are two approaches to dealing with flooding. One is to build a dam to stop the flow. The other is to find the right path to allow the flow to continue.
Building a dam does not address the source of the flow — it would need to be built higher and higher, eventually holding back a massive volume. If a powerful flood were to occur, it could wipe out everything in its path.
The nature of water is to flow. Human nature too seeks freedom and that human desire is stronger than any natural force.
Can physical borders stop refugees? Instead of building walls, we should look at what is causing people to become refugees and work to solve those conditions to stem the flow at its source.
To do so will require the most powerful nations in the world to adjust how they are actively shaping the world, how they are using political and economic ideology — enforced by overwhelming military power — to disrupt entire societies.
How do we think the poor, displaced or occupied can exist when their societies are destroyed? Should they simply disappear? Can we recognise that their continued existence is an essential part of our shared humanity?
The west has all but abandoned its belief in humanity and support for the precious ideals contained in declarations on universal human rights. It has sacrificed these ideals for short-sighted cowardice and greed. Establishing the understanding that we all belong to one humanity is the most essential step for how we might continue to coexist on this sphere we call Earth.
I know what it feels like to be a refugee and to experience the dehumanisation that comes with displacement from home and country. There are many borders to dismantle, but the most important are the ones within our own hearts and minds — these are the borders that are dividing humanity from itself.The refugee crisis is not about refugees, rather, it is about us.
Our prioritisation of financial gain over people’s struggle for the necessities of life is the primary cause of much of this crisis. ai weiwei is a chinese contemporary artist, working in sculpture, installation, architecture, curation, photography, film, and social, political and cultural crafts.
this is the largest ever. Ai has found refugees a suitable subject of identification. This identification can be taken further, a form of ritualised pornogrification that finds gold in crushing victimhood.
Few other current crises, to that end, provide raw material than the global refugee calamity stretching from the Middle East to Africa, a seemingly endless procession line of suffering and, for Ai, raw matter.
Art and Exploitation: Ai Weiwei, Dissidence and the Refugee Crisis by Binoy Kampmark / March 12th, The status of dissident offers a certain moral latitude in . Art and Exploitation: Ai Weiwei, Dissidence and the Refugee Crisis The status of dissident offers a certain moral latitude in behaviour, and, in various cases, misbehaviour.
The Chinese artist Ai Weiwei is one such figure. He is a feted figure of dissent of the Chinese . Nov 09, · Ai Weiwei, the Chinese contemporary artist and activist, opens new “Laundromat” installation at Deitch Projects art gallery in New York City.
Seeking to shine a brighter light on the global refugee crisis, the exhibit boasts over 2, items that the artist collected while on a trip to an abandoned refugee camp in the village of Idonemi, on the Greek-Macedonian border.