Composition is one skill within photography that we can probably never master, but just continually develop.
That pretty much describes me. Here are the questions that Katie suggests you ask: What does it look like? Color, grayscale, areas of each? What is the subject matter in the photograph? Can you tell from which social era it came? What clues give you that information?
Does the photograph give you a sense of time day or night, long exposure or short exposure? What visual clues lead you to your conclusions? What was the approximate focal length of the lens? What leads you to your conclusion?
There’s this great section towards the end that kind of sums up all the things you can learn in the book, and I thought it was an interesting set of questions to ask yourself when you are evaluating a photo that you are thinking of using in one of your projects, for example, at a website, book, or whatever else you are designing. The final image, with processing influenced by the upside down evaluation. So, if you haven’t tried this before, give it a try the next time you’re processing images and I think you’ll be surprised how useful it can be, and not just with landscapes either. The final evaluation is often neglected because it is the last part to any design and make project. Do not make the mistake of completing it quickly or not doing it at all. The final evaluation is usually quite easy to write and counts for a high proportion of the marks.
What were the lighting conditions when the photograph was made? Do you think flash was used at all?
Can you discern the distance, direction, and color temperature of light source s? What was the vantage point of the camera when the photograph was made?
Was the camera low to the ground, at eye level, overhead, or somewehre in between? Did the photograph have an emotional impact on you when you first saw it?
What emotions did the photograph trigger in you? What emotional response do you think the photographer was trying to evoke in a viewer? What concept or idea do you think the photographer was trying to portray with the photograph?
Do you think the photographer was successful in translating these thoughts into a visual form? What aspects of the photograph lead you to this conclusion?
Considering your thoughts on the lighting, choice of lens, vantage point, aperature, shutter speed, and ISO the photographer used, what could the photographer have done differently to strengthen the message?It is a good idea at the planning stage of writing your evaluation to give each of the paragraphs of the main body a working subtitle which you may or may not choose to include in your final evaluation.
Jun 17, · Final Piece and Evaluation June 17, · by lucindawestphotogaphy · in Final Piece and Evaluation, History And Memory, Self Initiated Project. I decided that because this photograph was significantly stronger than the other, that I would use this one photograph as my final piece.
As a whole I found the whole experience temperamental I had a lot of problems with producing my final piece and in actual fact although I did a lot of experimentation with portraits and dramatic lighting, my actual intention wasn't to do this for my final piece instead I was planning on doing some light panting with a film SLR camera some would be in color whilst others black and white as I find the contrasty black .
Sep 15, · How to Write a Photography Critique. In this Article: Formatting Critiques Evaluating Technical Components Analyzing Composition Maintaining a Constructive Tone Community Q&A Critiques can guide budding and seasoned artists alike as refine their work.
Writing a critique involves evaluating the image's technical and compositional elements%(21). I really liked her style and decided to incorporate her style into my final piece by producing 6 GIFS based on photographs I took in my final Depression themed photo-shoot.
FINAL EVALUATION: Creative Photography Final Evaluation – 20% Your final evaluation will include a final project (worth 20% – 2 projects x 10% each) and a final exam (worth 10%).